Fashion Illustrations through the Sartorialist...
I have some new brown 'walnut' ink and I had an artist moment this afternoon. Ravaging my room, looking for some paper to transform I remembered an assortment of colored card stock under scraps of forgotten paper. The movement to create was stirring within me while I was scrolling through one of my favorite blogs. Among the sites I peruse now and again The Sartorialist is always one I return to. The Sartorialist is an amazing source of inspiration for any individual craving a dose of the greatest modern street fashion. Looks from the streets of New York and Paris grace the selection of images on the blog.
This selection of Fashion sketches is inspired directly from The Sartorialist and is an homage to a great source of beauty.
Jacket Portfolio Sleeve...
Here is the prototype! I stitched it all by hand, which is no feat of little significance. It wasn't easy let me tell you. The gnawing ache in my back soothed the cramp in my hands. My eyes cowered in the light and desperately were seeking plain white walls as comfort. As I was nearing the last stitch my brain was reeling from the design. Why had I not sought a pattern from which to draw my design? All in all this was a great educational experience.
Still there are no buttons, and there may never be- at least not until I create the final. The end goal is to create a unique and enticing portfolio sleeve to showcase my fashion illustrations. Found in the links here
One day I will take good pictures I promise.
Creating My Very Own Portfolio...
I am endeavoring to make my own portfolio for my fashion illustrations. I now have the fabric, the specs and the idea. All that is left to do is to craft it! With crafting obviously being the most simple of all the tasks. Hopefully tomorrow I will have a prototype to show!
Fashion Illustration… Featuring Lushlife
My friend and I were at Java Jive on Ponce de Leon in Atlanta for brunch the other morning on the suggestion of a friend. The food ran the usual gamut of brunch and the atmosphere took on the nature of the 50's. They specialized in their homemade biscuits which were the defining note on the meal. As we were cleaning the debris on our plates and lightly sipping what remained of our coffee the corner of my eye spied something unique. I turned my head to see a gentleman wearing a red scarf and large hipster glasses. The ensemble was basic with a white tee and blue jeans, but the sense was that this carried character beyond early morning dress apathy. I knew that I had to illustrate this look, and not just the look because it was so simple, but the person who made it work. My friend Ruth had to be the courageous one and ask this gentleman if I could photograph him as I am much too shy.
He was gracious and soft spoken. As I was photographing, which lasted maybe 60 seconds, I was describing my work and the fashion series that has been progressing. We exchanged information and it turns out this gentleman had just played a show at the Masquerade the night before, promoting his latest album.
Raj (aka Lushlife) is a hip hop artist from Philly and you can find a great review of his latest release here.
Here is the final illustration and below is the process that it endured.
I start with hard-board such as masonite and seal it with an acrylic wash. Then I draw the image on and do an ink wash of some of the major darks. After this is dried I lay in all of the base colors with heavy puddles of watercolor. As the water is sitting on the surface of the board I start to lay in white acrylic to layer in the highlights. Again I wait for the board to be dry and I finish the washes of color with more solid/defining layers.
Statement of Purpose...
I love brunch. I absolutely adore it. Brunch is a beautiful shared experience, a moment for communion with people. It is an opportunity to rest from the week, from the stress and responsibility. It is the delicious revelry of the senses that settles the soul. This too, is illustration. Illustration is the most beautiful shared experience. It is rest from the barrage of dull every-day artistry. Illustration is a sensual revelry of the soul.
Matt Miller
Sunflowerman
Paul Chelko…Portrait
I must say that I am suddenly and properly honored to have done this little portrait of Paul Chelko. It was quite the accident that I came across his photograph on the cover of a 2007 edition of 'The Atlanta Magazine (which I could not find on their website- so it's possible I am confused as to the actual magazine).' Over and over I mentioned the character in his face. Sarah, my mentee, and I were practicing some techniques in painting at One Love Generation and I grabbed the magazine at the top of the towering pile for reference. As I walked over to our table where Sarah was eagerly awaiting the chance to paint. My eyes were trained on the photograph that was the cover of the magazine, analyzing the face we were about to use as practice. She exclaimed at the difficulty of drawing his face with a brush.
At the bottom of the post is an image of the portrait that Sarah did. She also painted an eye that would have been nice to grab a picture of. Her focus was a bit more centered on the painting of the eye than the portrait.
The following five images are the stages of the painting. It begins with an ink brush drawing, followed by washes of watercolor, highlights of white acrylic, dabbles of color in the cheeks and nose and retouching blacks with india ink.
Check it out. Enjoy. Share with your friends.
Sarah's version of Paul Chelko. I thought the line-work was brilliant and a beautiful image of what she is learning as she is becoming her own artist.
Fashion Illustration…Mikey
The next piece in the fashion series. This is my good friend Michael McLaughlin. He is a dapper fellow and a good good friend. Check out his tumblr here. He allowed me the use of his visage and his style. Thank you Michael.
Below is the process of the illustration. Check it out and enjoy. Share it with your friends.
And here is a look into my studio.
Commission Portrait
Recently I was commissioned to do this portrait. On the left is the reference photo I was given to work from and on the right is the resulting image. I was told that her favorite colors are pink and fall colors. I think pink stuck in my head. It doesn't hurt that it is one of my favorite colors. Looking back on it I see this as a great learning experience in technique. I have been experimenting with watercolor, india ink and acrylic.
Below is a series of images that walk through the process. The preparation of the surface is the most crucial part of the process so far. It will be apparent in the next fashion illustration how the watercolor reacts differently to the substrate.
The painting is on gessoed 1/8th inch masonite board (hard-board). I buy the board from Home Depot in 48x96" sheets and have them cut down to 18x24.
Fashion Illustration… George Kamau
Special thanks to George Kamau for allowing me to use him as model for this illustration.
This is the second in the series of my new passion- though this calls for a drumroll I will not wait for your hands to start slapping your knees-
Fashion Illustration!
The process is one I stole from a verbal explanation of the artist Sterling Hundley's process (his outlandishly fantastic and award winning work here). There was an appropriate amount of hand waving and gesticulating so I was able to get the gist of it all. My good friend Caleb Morris (his amazing and ground-breaking work found here) was fortunate to receive a portrait of himself done by Mr. Hundley in demonstration.
I gleaned all that I could from Caleb's exuberant explanations and adapted what I learned to what I could make my hands comprehend.
It begins with a glaze of Acrylic for the foundation.
Afterward I draw a sketch with pencil.
Over the pencil drawing I ink in the appropriate amount of black with waterproof india ink.
Then comes the exciting part- and where the process pictures begin below-, I cover large areas with washes of watercolor. Since the base of the substrate is acrylic the water has nothing in which to soak. This leaves the wash open to perpetual changes. Also the pigment in the watercolor is searching for a place to settle while the water is evaporating, creating beautiful iterations and watermarks.
Highlights are pulled out by applying white acrylics over the watercolor.
Lastly I will go back into the black areas with fresh india ink to re-establish the darkest darks.
Fashion Illustration
Recently I have begun dabbling in the dandy world of men's fashion. It is really quite fantastic. Learning the differences between a quality tie and a quirky tie has been an adventure. Then remembering how to tie a 4 in hand vs. a Windsor vs. a Pratt has been down right awful. I have, this year, had my first trip to the cleaners to have a pair of vintage pants hemmed to my specifications. Overall the experience has been pleasant but in the future I will be heading to a professional tailor.
So it comes as no surprise that I have begun my very own series of fashion illustrations. My goal is to focus on men's fashion and the men that wear it. What are clothes if they are left on a rack?
First is a study I painted in watercolor and pastel on Masonite board with reference from one of the many fashion blogs hat I follow.
Below here is a focus on my favorite outfit at the time. This is the style and technique from which I will be modeling. It is a portraiture of the person and of what the person is wearing.
The shirt is Dinamit. The tie is Ralph Lauren. The cardigan is Old Navy.
Obviously the mush mash of brands is laughable from the list but the ensemble they create is vivid and strong.
The model here for one of my next paintings is my friend George Kamau. It will be painted in the same style and technique as the one above with watercolor, acrylic and ink.
