Paul Chelko…Portrait
I must say that I am suddenly and properly honored to have done this little portrait of Paul Chelko. It was quite the accident that I came across his photograph on the cover of a 2007 edition of 'The Atlanta Magazine (which I could not find on their website- so it's possible I am confused as to the actual magazine).' Over and over I mentioned the character in his face. Sarah, my mentee, and I were practicing some techniques in painting at One Love Generation and I grabbed the magazine at the top of the towering pile for reference. As I walked over to our table where Sarah was eagerly awaiting the chance to paint. My eyes were trained on the photograph that was the cover of the magazine, analyzing the face we were about to use as practice. She exclaimed at the difficulty of drawing his face with a brush.
At the bottom of the post is an image of the portrait that Sarah did. She also painted an eye that would have been nice to grab a picture of. Her focus was a bit more centered on the painting of the eye than the portrait.
The following five images are the stages of the painting. It begins with an ink brush drawing, followed by washes of watercolor, highlights of white acrylic, dabbles of color in the cheeks and nose and retouching blacks with india ink.
Check it out. Enjoy. Share with your friends.
Sarah's version of Paul Chelko. I thought the line-work was brilliant and a beautiful image of what she is learning as she is becoming her own artist.
Fashion Illustration… George Kamau
Special thanks to George Kamau for allowing me to use him as model for this illustration.
This is the second in the series of my new passion- though this calls for a drumroll I will not wait for your hands to start slapping your knees-
Fashion Illustration!
The process is one I stole from a verbal explanation of the artist Sterling Hundley's process (his outlandishly fantastic and award winning work here). There was an appropriate amount of hand waving and gesticulating so I was able to get the gist of it all. My good friend Caleb Morris (his amazing and ground-breaking work found here) was fortunate to receive a portrait of himself done by Mr. Hundley in demonstration.
I gleaned all that I could from Caleb's exuberant explanations and adapted what I learned to what I could make my hands comprehend.
It begins with a glaze of Acrylic for the foundation.
Afterward I draw a sketch with pencil.
Over the pencil drawing I ink in the appropriate amount of black with waterproof india ink.
Then comes the exciting part- and where the process pictures begin below-, I cover large areas with washes of watercolor. Since the base of the substrate is acrylic the water has nothing in which to soak. This leaves the wash open to perpetual changes. Also the pigment in the watercolor is searching for a place to settle while the water is evaporating, creating beautiful iterations and watermarks.
Highlights are pulled out by applying white acrylics over the watercolor.
Lastly I will go back into the black areas with fresh india ink to re-establish the darkest darks.
Angry Bird
My bossed asked me if I wanted to do a painting for him. Of course I said yes. I mean, I can't pass up an opportunity to at least attempt to show off. Brian, my boss, wanted a picture of his son riding an 'Angry Bird'. This became a chance to try my hand at something new- vector images.
One of the biggest issues of painting something like 'Angry Birds' is the thick black lines that surround every form. With this I have no chance to fudge a line and say that it is because 'the light is hitting it just so…'. No sir, no ma'am I had to try something new.
It just so happens that the very same day I got the call from Brian I had purchased some liner brushes from Sam Flax after seeing Atlanta artist Sam Parker painting in store. As I was walking up to his work space he was outlining a form on the canvas. The newness and brilliance of his technique swept over my artistic sensibilities and nearly on the spot I purchased my new and awesome brushes.
Below is the progression of the painting. It is the four main stages from drawing, to watercolor wash to finished painting.
-When painting in watercolors I almost always will start with a pencil drawing that defines my shapes and general values.
-Next I do a wash over the entire painting then pull out the color from specific highlight areas. Areas such as the nob of the nose, the eyes, the bottom lip and forehead.
-The angry bird is made of 4 layers of color, one on top of the other. For the 'starburst' effect I used frog tape to mask the paper and allow for more freedom in my brushwork.
-Finally I went into the details in the face and we are at the end. Enjoy!
